I’m shy. You might not realize that with my blogging, but I actually outgrew extroversion as a teenager and settled into a neatly introverted adulthood. Where I once loved being the center of attention as a kid, it makes me very uncomfortable now.

What’s funny about this is that I’ve spent most of my adult life teaching. I’ve stood up in front of anywhere from 80 to 200 people to talk about constellations, to share folklore. Sometimes at work, I have to stand in front of the 30-40 teachers and students present to do announcements. If I could, I’d join a choir…just to be back in the performing arts (which I miss) again.

I want to make video tutorials for some of my math articles, and every time I look at the microphone, I panic.

Having people’s attention focused on me makes me feel like a fraud, even when I know what I’m doing.

Oddly enough, this isn’t an unusual phenomenon. Shy people are prolific throughout the performing arts. They do their art, and then they retreat to a sanctuary to recover from the experience. Most people would never guess that the bold, confident, friendly person they watch in an interview or meet at a convention goes home to just decompress from having to be so social.

I’m the same way. If I have to spend too much time in the spotlight, I’ll handle it with the confidence and grace expected of me, and then I’ll find the nearest dark corner to hide in to regroup my thoughts.

Is it challenging? Yes. Does it ever get any easier? Sure… Once you’re used to where you are and what’s expected of you, you develop quick coping strategies to allow you to accommodate those around you. Are there days when the social contact becomes so overwhelming that you start seriously consider becoming a hermit? Constantly.

How do you handle it? Figure out where your limits are, and then be very defensive of them, even if you just have to excuse yourself to get a breath of fresh air for a minute, and treat yourself to down time every chance you get.

This month has been unexpectedly crazy. I apologize for the lack of any real content here.

I have another link to share with you, but you can look forward to more authentic Dead Bunny goodness next week!

Today’s find shows how to find the equation for a line. It covers everything from some of the equations for a line, to how to derive a line’s equation from given information, to find a line parallel to a line through a given point. It’s a lot of useful information in a compact space.

A school in Michigan has decided to ban its students from having a MySpace account. Period. End of statement. They can’t access the site from school, and next year, they’ll be signing an agreement that they won’t access the site at home, either.

In this day of children being babysat by the television and the internet, I’m certain students will completely comply with the agreement.

I’m personally horrified by this decision. The school has decided that it has the right to control the students’ lives outside school. While their intention is good, the execution is going to prove much more than the school can handle.

If they really want to protect their students from the evils of MySpace (and the rest of the internet), the answer isn’t banning. It’s teaching. The first step is to teach children how to be safe online. The second is to teach them how to evaluate the people they meet online. (The third is how to evaluate the information they find online, but that’s an entirely different rant.)

When you arm someone with a reason, give them the capability to analyze situations for themselves, it’s amazing how often you can prevent most of what you were trying to block. Children feel less likely to rebel against what they feel are pointless rules, so teaching them gives them the concrete purposes for a rule and helps them understand why the boundary exists at all.

Children can be fairly rational, reasonable creatures when they’re given that opportunity. It’s actually part of how they grow into rational, reasonable adults.

When I was little, I found this how-to that showed how to create your own flip book. I tried to create one of a person eating a popsicle, like the how-to suggested. A lack of artistic talent kept it from being useful.

In middle school, I fought boredom in class by drawing stick figure flip books in the corner of my textbooks. They weren’t too bad, actually.

If nothing else, I learned a lot about why my cartoons worked.

For kids today, they can go for the low-tech option of the flip book, or they can try their hand at a slightly more sophisticated form of animation: stop-motion animation.

(For the record, I’ve done this twice, both times in museums.)

At its core, animation (all moving pictures, in fact) is just a series of still pictures moving at a rapid rate to make make your eye believe there is a sense of motion between the images. It’s all about something called “persistence of vision”, the fact that your mind will try to fill in gaps between what your eyes see.

Don’t believe me? Check out this animated GIF I made a couple of years ago. It’s just two images being alternated, but because of the speed and persistence of vision, it appears to move smoothly between the two. (Both images belong to Miniclip.com. I’ve made no money off having fun making this avatar.) For something a bit more high-end, try to get a hold of the early seasons of the anime Patlabor and watch the ending. For the majority of the end theme, you’re seeing three images- a scrolling background, and the two frames being alternated to let Noa run. It’s really fun to watch because it’s fairly clear what’s going on in the animation.

All right, this ended up being more thorough than I ever meant to be. Make a flip book. Try your hand at stop-motion animation.

Scott Ginsberg recently announced that creativity is magnetic. I consider myself somewhat creative, so I decided to read on. Scott asserts that people are drawn to creative people because they are approachable.

Apparently, creative people are fun, smiling, and easily draw others to them. I don’t know that I agree with that. I’m creative, but people are generally more inclined to remain around my brooding self because they want to see what I’m going to do next. (I’ve heard that’s fun for some people.)

Not that I’m recommending turning creative types into zoo exhibitions or anything, but sometimes it’s just fun to see how a creative person is going to handle a new situation in their life (or a rut).

While I disagree with the idea that creative types are magnetic because they’re friendly, I do like Scott’s ideas for embracing your own creative self:

  1. Affirm it
  2. Hang with it
  3. Practice it
  4. Study it

Interestingly enough, the advice is to become attractive to creativity yourself.

The comments on the post are a fairly interesting read, too…especially if you happen to suffer from any degree of shyness.

I’m asked that fairly frequently by my students. They figure if overly smart Rebecca doesn’t use the skill they’re working on when she isn’t teaching it to them, that’s grounds for them to not have to learn it.

Usually, I ask them what they plan to study in college. The majority of my students are high schoolers who really haven’t given it much thought, so I win the argument on the fact they’ll need the math class to have fewer classes to take in college (Let’s face it, those remedial classes take up a lot of time.) For those who have decided a major already, it’s a matter of convincing them they need the class to get accepted to college.

Either way, it’s a real fight.

I wish I had a far better answer for my students, but the simple fact of the matter is that knowing an inscribed angle is half the measurement of its corresponding arc probably won’t come up in their normal lives. Upper level math is hard to defend, unlike science and English.

Of course, while my students are learning how to interpret what they read, how the world works, and how to take a differential, they aren’t necessarily learning life skills that already come into play on a daily basis. There’s something wrong with that. If it’s something that will help them succeed in life, it should be incorporated into their schooling somehow. (I feel like a traitor to my content area as I say that. In my defense, I get the necessity of algebra and geometry because they teach necessary reasoning skills, but beyond that is just nice to have completed before the rigors of college.)

Often when we think about creativity, we think about inspiration, something artistic or well-designed. We don’t often think about one of the driving forces of creativity- curiosity.

This goes back to my post last week about imitation leading to personal creative breakthroughs. The majority of us don’t come into the world creative. We have to find our creative path. For some people, this starts with seeing someone else’s work and saying to ourselves, “I can do that.”

We create something along the lines of what we thought we could create, but then something weird happens. Curiosity happens. Somewhere in developing our copycat piece, we are struck by the question, “But what if I did this instead?” Intrigued, we follow our instinct and explore that question. If we do it each time the question enters our head, we grow our creativity through our own playing.

“But what if…,” is one of the most powerful questions we can ask ourselves when we’re creating because it allows us to acknowledge the world outside the box. It allows us to draw from ourselves, to learn something new.

Curiosity is a key ingredient in creativity and problem solving.

Inspired by Curt Rosengren

It’s funny. My mom has a choose-you-own-adventure story I wrote as a kid. Whenever you were presented an option in the story line, you were also asked to grab some randomizer and use it to select your path. Literally, you had to roll a die or flip a coin to move forward in the story. My current choose-your-own adventure story involves solving a puzzle to move forward. The correct answer moves you to one path, while the wrong answer moves you to another. I’m also now roughing out a larger game where events decide the path of your story.

It turns out, though, that developing the puzzles and the structure is the easy part of developing a choose-you-own-adventure. The stories has been…stressful…but I think it’s because I’ve been overthinking the situation.

To truly succeed in developing a choose-your-own-adventure story, you really do have to have an open mind and be willing to not drive the story. You have to build to a place where the story could go one of multiple directions, and then write down what would happen if the story went each of those directions.

I think part of the problem with my current puzzle set-up is that the story just moves the characters between the puzzles. There’s no build-up. There’s little solid character development. The characters simply move. As a result, when you move from one scene to either of its following scenes, the story makes almost no sense or feels like it’s running in a circle.

Planning out a choose-your-own-adventure story is almost the ultimate creativity exercise. It allows you to explore “what if”s without fear of failure.

I decided to check out the new site Climber.com over the weekend. Unlike other job search sites, it’s intended for those who aren’t looking for a job to connect with their dream job, to climb up from where they currently are at the moment.

While I’m not terribly confident in the purpose, I find their set-up interesting. There’s a place to upload your resume, but you only reach it after you’ve gone through all of the site’s hoops. (I’m in the process of updating mine, so it’s not up yet.) The hoops include filling out a questionnaire that creates your “career fingerprint”, which I think means it suggests what your ideal career looks like. You also get to list your dream companies, words that you feel describe you, and skills that might impress a potential employer.

With my unusual background and skill combination, I haven’t been matched to any companies yet, but I’ll definitely be interested to see what happens as the site grows.

I’m grateful to put the last two weeks behind me. It’s been crazy, and I think the posts (or lack thereof) around here have really reflected that.

I’d hoped to have some work done on this website by the end of March. Of course, I’d also hoped to have roughly a quarter of my writing/editing queue finished and to have made a serious dent in my reading list. I’d planned to move JewelryNiche to its new home at my personal blog. I’d planned on having a plan to gracefully step away from CareerNiche because I’m no longer doing anything related to those topics.
It’s funny how things don’t work out the way you planned sometimes.

I did finally manage to get some work done on a project someone sent me at the beginning of March. I’ve read one e-book off my list. JewelryNiche is still sitting here, and I;m feeling guilty for not updating it more frequently, but my life isn’t allowing me the time or patience to sit down and create the pieces I’m sketching out, so I don’t necessarily feel a drive to share more about bead symbolism or design issues. And these past two weeks saw the full force return of my inner coach…the one I haven’t sought out training for because I’m not sure that’s a route I want to go.

I’m still looking to boil this site down to reflect what I’m up to, but with my inability to get a good grasp on my time for more than a couple of days, it’s become very challenging to see what it is I am actually doing.

Maybe this is the cosmic signal that I’m getting ready to shift myself away from what I’m supposed to be doing. Or perhaps I just think too much.

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