“The real hero is always a hero by mistake; he dreams of being an honest coward like everybody else.” – Umberto Eco

Recently, I started listening to the Writing Excuses podcast. When Rhythmbox downloaded the feed, it caught part of third season as well as all of the current season, and there was an episode on anti-heroes and the debate surrounding the term in writing. The day after I heard that, one of the freelancing sites pointed to tutsplus’ new area: Creative Sessions. Lessons designed to help you grow a creative skill. The first one is creating the anti-hero as a character illustration. There are a series of articles to help you grow your skills (they’re about halfway through for this first session), and a project. But everything wanted me thinking about anti-heroes, so off I went.

My project reflects my writing background as it came out as an anti-hero of the reluctant variety. (I’m trying to decide if my drawing skill is improving at all.)

My Anti-Hero

I even realized that a story scrap I wrote last year while working through Gotham Writing Workshop’s Writing Fiction would go well with my poor character:

Sam wasn’t sure if it was a wonderful sign or a sign of disaster, but Sam knew it was worth noting. And it was probably best walked away from. Why court disaster when one could just as easily avoid it? She started putting one foot behind the other, slowly backing away and casting shifty glances to the shadows around her to make sure no one saw her, the light, or her cowardice.

But each step became more difficult. Each time she tried to lift her foot, it felt like she was trying to pull it out of tar. She refused to look down for fear she’d find herself sinking in a pit of quicksand more common to the desert regions of the south. But she kept going, fighting the ground and her own body as she went.

The light seemed to chase her, or at least grew brighter, as she went.

“No,” she whispered, “you don’t want to come with me. I’m nobody. I promise. At best, I always have my nose stuck in a book, or I’m in the library helping to sort and shelve the books there. I’m boring.”

The light continued growing. The trees around her cast longer, darker shadows that bent around the light to create a cave-like shape.

Sam didn’t know what to make of it. She had spoken the truth. As far as her village was concerned, she was the bookish, awkward girl who had just last week thrown a heavy volume of Tandor’s history at the boy every girl fawned over. She wasn’t far from being like that girl in the traveling bard’s story, the one who fell asleep reading by her fireplace.

Sam had no delusions that some fairy godmother was waiting to wave her magic wand or that she was fated to end up with some charming prince, but the fact she couldn’t shake was that this light was causing her to start questioning her beliefs.

I have no artistic ability.

Okay, that’s not entirely true. I can actually do a number of arts in a competent manner, but drawing has eluded me most of my life. I had brief flashes of drawing ability my freshman year of high school and my freshman year of college (odd coincidence). I can get the image of what I want to draw firmly fixed in my mind, but there’s a severe disconnect between my head and my hand. Now that I’ve developed a strong interest in blended storytelling and am trying to figure out how to apply that to Dead Bunny, it’s really annoying me.

Last summer, I started drawing stick figures for a fellow teaches. Initially, they just decorated notes I was leaving her, but they quickly became something else and they started gathering a fan base among the other teachers. My horrible little drawings were coming alive and telling their own stories.

The stories focus on this one little stick figure family- Mom, Dad, and Little One, a precious preschooler who loves to read. The family celebrates holidays and spend time together doing fairly typical family activities. Side stories away from the family have been reactions to various things going on. They’re starting to become my teaching assistants. I’ve even turned myself into a stick figure (although I don’t think I have that one).

I don’t have as much time to spend on them anymore, but they still dot my design notebook. If you want to check them out, they have their own section in my deviantArt gallery. But look quickly. My artist roommate is eying one of the larger stories for one of her future projects.

I seem to like links and pairs this week. They keep turning up in my blogging.

Today is no different- I have a pair of links for you to have some fun with- Drawspace and Sketchfu!

Drawspace is going to be a favorite spot for me for a while. It has sequential drawing lessons, and might just come in very handy while I attempt to create more pictures of Dead Bunny!

Sketchfu is just fun. It’s like playing the Yahoo game Grafitti by yourself, and you get to save your work. (Their gallery is pretty cool, actually.) I haven’t drawn too much on there yet, and I’m not brave enough to save any of my creations, but if you do, link it here so we can check out your artistry!

I really ought to scan a sketch from my design notebook so you can all be dazzled by my artistic capabilities, but I’d like to keep you interested in returning to this blog so I’ll spare you.

However, I’ve known for a while that my instruction sheets really need and deserve to have accompanying illustrations. Having no access to any graphics programs beyond PSP and Photoshop, I’ve decided I probably should figure out how to draw good clear representations of my work.

My first attempt is working on sketching one of my favorite wire jig patterns. I’m finding that it isn’t entirely different from drawing Celtic knots. You start by drawing circles, and then outline the group of circles. It’s then just a matter of connecting the outline and circles with short strokes.

It’s proving to be an interesting, but necessary first step!

When I was in college, my father signed me up for a Celtic Christianity conference one weekend. It was very interesting.

My favorite workshop was one on drawing Celtic knotwork. We only did basic knotwork and a couple of animal heads, but I kept all of the notes form the class, and have often doodled Celtic knotwork during meetings and classes.

The other day, I came across this website that links to various tutorials in drawing Celtic knots. I can hardly wait to start working my way through them.

Generally speaking, I can’t draw to save my life, but Celtic knotwork just works for me!

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